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Théodore Lack (1846-1921)

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Schumann always enjoyed playing piano four-hands, even after the injury to his right hand curtailed any hope of a professional career. Playing this way was in any case associated with domestic pleasure rather than concert-giving, though plenty of composers in the early-Romantic era began to supply music for a hungry market of dedicated amateur musicians, Schumann included.

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His first work in the genre was a set of eight Polonaises written in and very much modelled on the example of Schubert, who died later the same year. These are outgoing works of tremendous charm and lively character, designed for enjoyment on the part of the musicians at least as much as the listener. Curiously Schumann did not return to the genre in the full flower of his career. In these impromptus, vigorous and meditative moods alternate before culminating in No.

There followed the following year a set of 12 pieces Op. This most recent work by our brilliant Schumann will thus prove to be doubly welcome.


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Plano and del Negro have long enjoyed a fruitful duet partnership; this is their first album together for Brilliant Classics, but Plano has accumulated an impressive catalogue of recordings for the label including music by Luchesi, Piatti, Sgambati and Smetana. Robert Schumann was one of the most original piano composers of the 19th century.

Trained as a pianist himself he created his own sound world in which he gave free reign to his often unbridled fantasy and imagination. His first 23 opus numbers are exclusively for piano solo.

The Bildern aus Osten Op. Played with obvious dedication and love by Italian pianists Roberto Plano and Paola del Negro, savouring all the little original details of these charming and attractive works. You can download them as many times as you like. Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go. For over 60 years the Argentinian pianist Martha Argerich has amazed audiences all over the world with her wild, impulsive playing and her constant risk-taking, overcoming every technical difficulty by turning each of her performances into a fascinating journey.

If they were far from being the only musicians involved, it is through their respective careers that we have discovered that blues, far from being an outdated musical genre, is some kind of getaway to other musical areas and has allowed for endless innovations. Categories: All Back.


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    F. Chopin : Polonaise op. 40 no. 2 in C minor (Pollini)

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